The Jardin Stud Earrings Emerald set a lab grown emerald in a clean mount, with no surrounding stones to draw attention away from the colour. Emeralds are set in the emerald cut by tradition for good reason: the broad table and stepped facets display the stone's depth of colour more directly than a brilliant cut would, giving each stone a vivid, saturated green that reads clearly at the ear. Each emerald carries its own characteristic inclusions, making every pair individually distinct.

The Signature Studs Earrings – Double Prong hold a lab grown diamond in a two-claw mount, a setting that uses fewer contact points to keep more of the stone's surface exposed to light. Where a four-claw mount secures the diamond at four equidistant points around the girdle, the double prong reduces that to two, opening up the stone's profile and giving the diamond a wider, less interrupted presence at the ear. The butterfly back holds the earring firmly for all-day wear, and the minimal metalwork keeps the focus entirely on the stone.

A lab grown emerald at the centre, cushion-cut, with two white lab grown diamonds cushion-cut on either side. The cushion's rounded corners and deep facets suit emerald well: the cut holds colour rather than scattering it, and the stone's richness sits across the full surface. Emeralds are valued for their individual character, and this setting places that character where it leads — at the centre, held in frame by the diamonds beside it.

A fancy blue lab grown diamond at the centre, cushion-cut, framed by two white cushion-cut lab grown diamonds. Blue diamond reads differently from sapphire — steelier, more internal, shifting with the angle — and the cushion cut gives the colour the surface it needs to settle. The whites hold the outer line steady while the blue moves through the light at the centre.

At the centre, a fancy green lab grown diamond in a cushion cut. Two white cushion-cut diamonds flank it on either side. Cushion cuts return light in broad, distinct flashes, and in green diamond that produces a tone that shifts between cool and deep as the ring moves. Green is among the rarest fancy diamond colours — the whites are set to frame that rarity, not compete with it.

A fancy pink lab grown diamond at the centre, cushion-cut, with two white cushion-cut lab grown diamonds on either side. The cushion's rounded corners and broad facets let the pink settle rather than scatter — colour sits deep across the surface, softening as the stone moves in the light. The whites follow the same shape in a lighter register, so the pink leads and the frame stays quiet.

A fancy yellow lab grown diamond at the centre, cushion-cut, with two white cushion-cut lab grown diamonds on either side. The cushion's softer edges and broader facets return light in warmer flashes — less scatter, more pool — and yellow reads particularly well in this cut, with the colour moving across the full surface of the stone. The whites echo the shape in a lighter register, so the warmth stays at the centre and the frame stays quiet.

The Jardin Toi et Moi Ring in Sapphire pairs a lab grown blue sapphire with a lab grown diamond in the side-by-side Toi et Moi setting, a format where the relationship between two distinct stones is the design's central logic. Sapphires carry a depth of colour that sits quietly: it doesn't scatter like diamond brilliance, it settles. Positioned beside a diamond, the sapphire's blue becomes more defined, and the diamond becomes more vivid. The blue also shifts between indoor and outdoor light, which means the pairing reads a little differently depending on where it's worn.

The Jardin Toi et Moi Ring in Ruby places a lab grown ruby alongside a lab grown diamond in a side-by-side setting, letting the contrast between the two stones carry the ring's visual weight. The ruby's deep red has an intensity that sits differently from a diamond's brilliance, and positioned directly beside one, each makes the other more noticeable. Toi et Moi is a setting format that works because the logic is structural: two different stones, neither subordinate, both necessary for the design to function.